See video: Ryan Guzman, Briana Evigan Dance, Kiss and Dance in ‘Step Up: All In’ Teaser (Video)
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The choreography falls short of the heights of “Step Up 2: The Streets” and “Step Up 3D,” and the plot isn’t as goofily engaging as that of “Step Up Revolution.” If it’s a champion in any category - and I had arguments about this with the rest of my viewing party, “Step Up” connoisseurs all - cinematographer Brian Pearson (“Into the Storm”) uses 3-D in the dance sequences better than any of his series predecessors. Like all the episodes of the Up series since 28 Up, 56 Up is a First Run Features release in the United States it will be available on DVD this fall.The “Step Up” franchise can be one of the most frustrating series in movies today - each film offers up transcendent moments featuring some truly electrifying dancing, but to get to those golden nuggets you have to sift through mounds of terrible writing and laughable acting.Įven if you’ve resigned yourself to that trade-off, “Step Up All In,” the fifth chapter of this ongoing saga, doesn’t rank among the best of these.
Like its predecessors, it probes a profound question: What becomes of the dreams of children?ĥ6 Up is a production of ITV Studios Limited. Some have dropped out and then back in, for reasons they best explain themselves, and one of the delights of 56 Up is the love-hate relationship some have with the series.ĥ6 Up is another step in a life-spanning project-for filmmaker, subjects and viewers-that has no parallel in the history of film.
Not all original Up subjects have agreed to participate in each of the films. Apted quickly and dramatically brings up to speed anyone who hasn't seen some or all of the previous films. For veteran viewers of the series, this is rich cinematic fabric. Apted employs a telescopic method when presenting his subjects, cutting back and forth between the present time of 56 Up and clips from earlier installments to create portraits in motion.
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In 56 Up, Apted finds the "kids" have mostly weathered the marital, parental and career tumults of middle age with remarkable aplomb, even as they begin facing the challenges of aging, illness and economic crises.įrom cab driver Tony to schoolmates Jackie, Lynn and Susan to the heartbreaking Neil, more life-changing decisions and surprising developments are revealed as the participants turn 56. The result has been a unique, inspired and always-surprising chronicle of lives-in-the-making. Was the adult already visible in the 7-year-old?Īfter Seven Up!, Apted took the series' directorial helm, and over the half-century since, he has returned every seven years to ask the same subjects to talk about how they see their lives. And by following the youngsters as they progressed through life, the Up series looked to test the strength of that system and the truth of the Jesuit saying. By asking 14 children about their lives and their hopes and fears for the future, the filmmakers aimed to explore contemporary English attitudes, especially regarding the class system, as expressed by children. Taking its cue from the Jesuit maxim "Give me the child until he is seven and I will give you the man," the film focused on 7-year-olds from diverse socio-economic backgrounds. In 1964, director Michael Apted ( Coal Miner's Daughter, Gorky Park, Gorillas in the Mist) was a young researcher on the experimental documentary series World in Action for a program called Seven Up!, produced for England's Granada Television.
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